Underworld Evolution never loses momentum, hunting for new locales to stage these clashes, and mixing physical brawling with gunplay. Heads and jawlines are torn off, hands pass through chests, and the final kill is a gory spectacle with the right dash of morbid comedy. The intent is obvious.Ĭredit where it’s due – action scenes find creative methods to dispatch both species. A brief romantic fling with Michael (Scott Speedman) only furthers the tease, and with zero narrative outcome. The focus tries to stay on Beckinsale as the series is determined to pull maximum sexuality from her figure voyeuristic low angles are laughable, Beckinsale facing forward as the camera leers at her skin-tight outfit. Underworld Evolution becomes a rote action horror movie, at times veering into direct creature feature tropes as winged demons pick off nameless goons. Then, it’s more fighting, this time involving special forces and outstanding practical werewolves that show in light rather than in scattered shadows between hectic edits. Up until the second act’s close, the script puts pieces in place until the story actually appears, suddenly, barely enough to give the climax context. Underworld Evolution never loses momentum
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